After initial reviews on Social media platforms, I wanted to see Meiyazhagan in all its glory at the theatres but for some reason it got pushed back and had to wait until it arrived on OTT. It was a movie I wanted to watch along with the family based on what little i knew of the plot and story. The movie starts with a bang, the loss of ancestral home and the impact it has on the family and Arul. Naa poren naa poren verum kooda and the subsequent lyrics had so much depth that it resonated with my own personal loss of moving away from Madras in similar circumstances. The loss of one's identity and place in the world can shatter even the strongest minds.
In the first 10 mins as the movie deals with the family vacating and move out of their ancestral town, I had made up my mind that this deserves a serious watch with full attention. The family could have stayed in Tanjore for rent and but they don't, it had a personal connect, for similar reasons I have not gone back to Chennai.
Cut to 20 yrs later Arul and his family live in Chennai and lead a normal life. On invited for his cousin sister's wedding, he painstakingly makes the journey to Tanjore after such a long gap. The way he is uneasy is evident with the use of headphones to shut out the outside noise and his anxiety. His mind yearns for it but he is not sure if he can handle things from the past. The conversation between Karuna (bus conductor) and Arul reminded me of myself when I used to visit India after 2017, not sure where I fit, always nervous and fidgety. He wants to leave all the time even before he has not attended the wedding or properly even settled in. One is never sure when one has to deal with demons of the past. What to make of it?
As he gets to the mandapam, he meets his murai ponnu and that interaction is a plot in itself. Someone who has done everything that has been asked of her but life doesn't return the favour or treat her kindly. Worse the ones who expected to her do the things asked of her have turned a blind eye and have moved on. It's a story of many a woman and man who have been conditioned since birth to fit into a well oiled regimented system to play their respective roles and follow the path of milestones. For some it works and for quite a few it doesn't leading to a lifetime of internal conflict and sadness. The movie highlights this aspect but does not try to deal with it. The smile on the murai ponnu face when Arul enquires is a story in itself. (courtesy : jillu)
He also encounters his maama, the loving Sokkalingam ( my dad's name is Sokkalingam) and the ensuing conversation between Arul's dad and the uncle is another plot point that could be a movie in itself. Two well meaning men in their last embers dealing with their emotions and respecting each other's view and boundaries.
Though we are not shown a lot of detail about the relationship between Bhuvana and Arul, we can see the depth and bonding in the reception scene. She makes the entire entourage of guests wait until her brother gets to unpack and help her put on the gifts he has got. I assume they havent met in the interim 20 yrs but have managed to stay in touch and that filial bonding had stayed intact. I have always yearned for a sister and it made me emotional. It is a ultra-slow scene which immerses the viewer with that closeness, respect and parting of 20 yrs.
Enter the magical character or the genie in the box - karthi and the movie shifts to another plane. He is full of kindness and showers anbu and akkarai when he bumps into Arul. Arul has no clue about who the guy is and struggles with the ensuing journey.
This is a magical arc, elif shafak would have turned it into a befitting sufi story. The confused Arul who wants to get away from Karthi at every possible instance ends up having to stay at his house overnight. He doesn't know Karthi has his own plans and why he is so endearing. At first he is uncomfortable, irritated even and ends up giving a wrong number. But he slowly relaxes and lets his guard down while they ride on the kinetic honda to Karthi's home. He grips his muscular arms around Karthi's shoulders, an affectionate gesture indicating that the distance is diminishing.
Arul is even more bemused when Karthi's wife also treats him with kindness and great respect. A man used to the hustle and bustle of Chennai gets a bit confused and gets flustered. The men start to loosen up further as the drinking session starts, Karthi narrates the story of the house they currently live in and why it is so special. Arul started to engage and the initial irritation has all but disappeared, he is in the mood to indulge even. The movie shifts to another plane when Karthi narrates the significance of the cycle and how much it means to him. Arul is moved that someone has gone to extreme pains to maintain it so well. What is trivial to one has so much significance and meaning to another, we don't even have a clue in life sometimes. It meant freedom to move around, growing up faster in the world of men, the cycle had been part of his life's journey. The discussion reaches a climax when Karthi reveals the would be name of the child he his expecting. Arul reconnects with some of his childhood memories and he is overwhelmed by the affection he is receiving.
The scene that looked so simple but that affected me so much was the act of forgiveness. An anger that has been residing for 20 yrs, that has kept him from living in his ancestral house goes off like smoke in few seconds. I could relate to it, anger eats away the person no matter the unfairness of the circumstances that led to it. It's an incomplete and miserable life that one leads and keeps latching on to that anger to justify actions. Arul knows it is only a ghost he is carrying, he no longer recognises the people who caused it, they don't even matter to him. When Karthi suggests forgiveness, he is overwhelmed with this man's demeanour and attitude to life, he just says ok in a flash. It was a beautiful moment, it was not forgiveness of those ppl, it was Arul casting off his demons. The longing, the past, the unfulfilled wishes all disappear.
But before he can process what's happening to him and stabilise, Karthi comes up with a request. Arul is shaken to the core, he doesn't know how to deal with this situation and he runs away which is probably the pathway in his brain. The running away scene is so powerful when he carries Karthi's slippers in his hands, fidgets around in the bus stand and requests the poo kara akka to do puja. This is a man who's been overwhelmed and has so many conflicting emotions in his head. He feels like a worm but at the same time has so much respect and love for Karthi. Who is this guy ?
Bane becomes a boon; vendum vendum endra urava pirinjen (a momentary call back to my dad who passed away earlier this year, I'm glad I made peace with him)
He goes away to Chennai and attends to work but it's irking him, he is not sure how to go about this. The universe intervenes and his daughter does the needful. The following conversation is one for the ages, a beautiful conversation between two beautiful souls. He slowly recollects things to realise who the guy is, in some sense it is almost therapeutic. In the end, Arul has banished all the demons, unknown fears of his mind and goes back to his hometown. He no longer feels unsure or insecure of himself; pure love mei anbu has so much transformation power.
I wish a Karthi had come into my life, but I guess in real life Karthis don't manifest in one person, it could be through a bunch of encounters with strangers and people around us. I believe there are a lot of beautiful ppl around us. It reminded me of my dad's death and my own journey of facing my demons, it didn't happen in a day but slowly but surely. I am not fidgety around my relatives any more, or going back to my dad's company. I am more comfortable in my skin than ever before.
Questions that kept coming at me or reflections
Would I have liked this movie so much if I had still lived in Chennai or for that matter in India? Would I have transformed into a different person if i had continued to live in India. What made me connect so much was the sense of loss and the transformation arc of overcoming the loss to face life as is. I think i am at a stage where i want to face life as is than what it should be.
It also made me miss my hometown, which i anyways do. I have worked hard to craft a new identity and have transcended the pain but the pull of home is incredible. How do I go about it in the coming years, the sense of generational continuity is bound to dimmish or dilute as i continue to live in the western world.
Am I just nostalgic when i think of my hometown or is there a deeper connection, there is something in our mann and makkal. That question is for another day!
Keep giving love to everyone not just your family, the world will become a better place with each day.